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Patricia Nelly

Patrícia Nelly started her career in 2003, by coordinating Estúdios Mega, an important finish house in São Paulo. In 2005, she took part of the post team of acclaimed and important feature films, such as “O Ano em que Meus Pais Saíram de Férias”, by Cao Hamburger, “O Lobo Atrás da Porta”, by Fernando Coimbra, “Que Horas Ela Volta?”, by Anna Muylaert, “Como Nosso Pais”, by Laís Bodanzky and “Bingo – O Rei das Manhãs”, by Daniel Rezende. With an extensive experience in series, she carried out the planning and management of series such as “Carandiru, Other Stories” (Rede Globo), by Hector Babenco, “Filhos do Carnaval” (HBO), by Cao Hamburger, “Cidade dos Homens” (Rede Globo), by Fernando Meirelles, “Alice” (HBO), by Karim Aïnouz and Sérgio Machado, “Carcereiros” (Rede Globo), by José Eduardo Belmonte, “Ninguém Tá Olhando” (Netflix), by Daniel Rezende and “Sintonia” (Netflix), created by Kondzilla. Currently, she is the Post-Production Director at Boutique Filmes.